Poem Up at Blue Heron Review

LYNNE BURNETT

Back in Puerto Vallarta

We arrive at the hotel like royalty—
remembered, waved through
the sea breeze of halls and floors
to our room, a welcome platter
of fruit, chilled bottle of wine,
a card—that’s all it takes to
pull off our clothes, shower,
sit on the balcony white-robed,
watch the waves rolling toward us
until they roll all the way in and
we let go the body that struggles,
let anything and everything swim
out of us, follow a dark fin far
and away from the old shore,
the sea surging, filling my mouth
with its need to be tasted—salt lick,
tongue slick with the eloquence
of stars.

I’m so happy to have this poem appear in Blue Heron Review’s Issue 16, whose theme was Sanctuaries & Places of Peace, along with almost 50 others! Big thanks to editor Cristina Norcross! I’ve pasted my poem here for ease of reading (since my poem is nine from the end) but here is the link to the whole issue, so many nourishing poems to enjoy: https://blueheronreview.com/bhr-issue-16-spring-2023/

In The Cathedral

In the cathedral of this forest
while birds sing unseen
from the vaulted shadows,
I sit in the hand-carved pew
of a sawed-off cedar trunk
and think about last night’s

argument, a congregation  
of notes falling, rising,
coins of light clinking
into the basket: the dappled
adagio that ministers
a tight staccato heart.                                               

Century-old trees stand 
like mossed-over crosses
unbroken in their silence,
upholding the climb of secrets:
the whispers about living
on what’s left over from

the cacophonous demands of a day,
the scraping of those plates
to give again what is left over, love
quietly shrinking from the beginning
to the end of a word, pursed lips praying
but little abiding as prayer.

Yet here, in a green profusion
the curling ferns, the pungent earth
and the soaring branches cannot hold
all the love that grew them, nor can
the birds so tirelessly singing, nor my
dog chasing a squirrel chasing a squirrel.

The math is simple.
There is no subtraction.
Love’s pulse is steady
and it loads the woodland table,
as it must, even now, heap
a forgotten room in us.

Another poem that first appeared in the Taos Journal of International Poetry and Art in 2017. My thanks again to editors Veronica Golos and Catherine Strisik for including it.