
So very pleased to have this little poem included in Cloudbank 18, a journal of contemporary writing – with thanks to editor Michael Malan!

So very pleased to have this little poem included in Cloudbank 18, a journal of contemporary writing – with thanks to editor Michael Malan!
Last night, watching the reality TV show, marvelling
at the array of patient issues—stabbings, overdoses,
malaria that can kill, cyclist hit, pedestrian hit, a
flailing foul-mouthed drunk—each with a short
update later in the show and then—the last one—
a guy in his early sixties like us, who, diagnosed
with a form of lymphoma and told it had a 70%
cure rate, suddenly had a heart attack and looked
dead but was brought in because a faint pulse was
detected—then none—CPR—now a pulse again
but then fading, finally his wife called in and the
family doctor, all the staff around this white-headed
buddha-bellied man with the grey-tufted chest
hair cresting like smoke signals from a dying fire
and the doc in charge saying they could do no more,
his body wasn’t responding, then taking the tube
out of his mouth to make him more comfortable and
telling his wife to hold his hand and everyone standing
silently, the woman weeping, thanking the staff for
all they had tried, the man mostly naked lying there,
my husband and I on the couch with a box of Kleenex
knowing exactly what the other was thinking
and him not a handholder but he let me hold his
until the show was finally over.
After being longlisted a couple of years ago in The Poetry Society’s National Poetry Competition (one of 108 out of 16,729 poems) this poem was finally published back in February of this year in “Loss” – Lifespan Vol. 9 – an anthology put out by Pure Slush Books, with thanks to editor Matt Potter. Because the poem was split over two pages in the book, it was difficult to present it properly by snapping a photo and anyway, above is its proper format. Thanks for reading!

For anyone interested, who missed last Saturday’s poetry reading or who wishes to revisit it, here is the link to that recording: https://www.youtube.com/watch?v=GRdhcoDHv5Y I am introduced at the 1:09:55 mark and read for about 8 minutes. The whole event lasted about an hour and forty minutes. I very much enjoyed the experience! And thank you to all who attended – I couldn’t see you but I felt the love!
I’m so very pleased to say that my winning poem in Kelsay Books’ Women’s Poetry Contest plus 4 others (of which 2 are new publications) AND an interview are now available to read online here. My section begins on page 13. A paperback copy of this issue is also available both on Amazon and Kelsay Books. A BIG thank you to Karen Kelsay Davies, Editor-in-Chief and Jenna Wray, Associate Editor for their loving attention to my work and for this beautiful issue–a basket of apples and oranges, a sweetness that lingers, poem after poem, on the tongue.

Hope you can join us! 1-2:30 pm Pacific time. I’ll be reading 5 poems, an hour into the reading. Cheers!
I’m pleased to share that I will be reading five poems at this event, a mere 3 weeks from now. If you’d like to join us, please register ahead at the link below. Cheers!
When:
July 20 (Saturday) | 2:00 – 3:30 PM (Mountain Time) (1:00 – 2:30 Pacific Time)
Who:
Featured poets: Sarah Russell, Rose Mary Boehm, Jim Landwehr, and Lynne Burnett
Guest readers: Anthony DiMatteo, Carolyn Bell, David Anthony Sam, Mary K O’Melveny, Gene Twaronite, Claire Drucker, Gary Grossman, Joyce Meyers, and John W. Bing
Where:
Zoom
Register in advance for this meeting:
https://us02web.zoom.us/meeting/register/tZwrd-CtqzkvHtOQaZEc8e1j-Y6-yESFUYQw
After registering, you will receive a confirmation email containing information about joining the meeting.

After many years and umpteen revisions, I was thrilled to have this poem accepted for publication in the final issue of Crosswinds, a beautiful print-only journal where I’ve had the good fortune to be a contributor a few times. Upon receiving my copy, I was disappointed to discover that both in the Table of Contents and on the page itself, my poem had been attributed to someone else and her poem to me – hence the black mark with my name inked below! I immediately contacted the editor, who was most apologetic and remorseful and who has since emailed all contributors a letter of correction, for which I am greatly thankful! However, for anyone else purchasing or perusing the book, they wouldn’t know this. And this now has become a lesson in non-attachment for me (like it or not): I’m always happy to see a poem I’ve mothered go out into the world but I didn’t realize until now how attached I could be when not only my name doesn’t accompany it but someone else’s does. So, Hermes, you shook more than one somnolent bough LOL! And I hope you, dear readers, enjoy this little poem, and thank you for taking the time to read all this.
I’m thrilled to share that my poem “My Body The Hymn” is now up at Blue Heron Review, Issue 18 – Transformation and Change. It couldn’t have found a better home! My deep thanks to editor Cristina Norcross for including it. The poem is about halfway down the page (18th – you have to scroll) and can be read here

After a bit of a dry stretch, I’m thrilled to report that my poem “From The Front Porch” just won Kelsay Books’ 2023 Women’s Poetry Contest! The poem and judge’s citation can be read here. Interestingly, Allison Joseph was also the judge who chose my poem “Tandem Hang-Gliding Incident” as the winner of the 2016 Lauren K. Alleyne Difficult Fruit PP.
Along with a cash prize and several other goodies, this poem will be featured in the Summer 2024 issue of The Orchards Poetry Journal, along with some of my others plus an interview. I’ll be sure to keep you posted on that – and an upcoming virtual reading. My deep thanks to Karen and the Kelsay Books team for their generous support of authors!

For all my poet friends not on Facebook, I want you to know that this marvellous contest is now open for submissions – has a big prize, runs only every other year and publishes the finalists (which I was in 2022). I was also one of six finalists offered a 12 minute reading online afterward – a wonderful experience! An earlybird submission (to May 1st) of one poem is $20, later is $25 and additional poems $17. Definitely worth the cost of entry!